Silhouette animation is animation in which the characters are only visible as black silhouettes. This is usually accomplished by backlighting articulated cardboard cut-outs, though other methods exist. It is partially inspired by, but for a number of reasons technically distinct from, shadow play.

Clay animation or claymation is one of many forms of stop motion animation. Each animated piece, either character or background, is "deformable"—made of a malleable substance, usually Plasticine clay.

Cutout animation is a technique for producing animations using flat characters, props and backgrounds cut from materials such as paper, card, stiff fabric or even photographs. The world's earliest known animated feature films were cutout animations (made in Argentina by Quirino Cristiani); as is the world's earliest surviving animated feature.

Object animation is a form of stop motion animation that involves the animated movements of any non-drawn objects such as toys, blocks, dolls, etc. which are not fully malleable, such as clay or wax, and not designed to look like a recognizable human or animal character.

Paper animation is a fairy new form of animation and is one that consists of the exploration of paper based objects and cut out techniques.

del animation was pioneered by Willis O'Brien, and it was first used in The Lost World (1925).

Stop motion animation can create a disorienting, and distinctive, staccato effect, because the animated object is perfectly sharp in every frame, since each frame of the animation was actually shot when the object was perfectly still. Real moving objects in similar scenes of the same movie will have motion blur, because they moved while the shutter of the camera was open. Go motion was designed to prevent this, by moving the animated model slightly during the exposure of each film frame, ...

Puppet animation makes use of single puppets that have adjustable joins.

Puppetoon animation is a type of replacement animation, which is itself a type of stop-motion animation. In traditional stop-motion, the puppets are made with movable parts which are repositioned between frames to create the illusion of motion when the frames are played in rapid sequence. In puppetoon animation the puppets are rigid and static pieces; each is typically used in a single frame and then switched with a separate, near-duplicate puppet for the next frame ...